…..The matters of genre, the ironic speech on the roll, place and feminine virtues took body in the extraordinary work of Aimée García … that was exceeding technical excellence, while she was leading us to the reflection on the pleasure and the condemnation. The artist embroidered on metal: tablecloth and china exalt the hard feminine office, the contradictory connotations of the capacities and functions of the woman, and with it it exceeded a self-sufficiency that challenge, uncertainty and astonishment occurred (…).
Rodriguez, Hilda María. ". Stick because it rows and stick because it does not row. Giros[rounds] in the VIII Bienniale Havana". Eighth dossier Bienniale
Havana. Cuban Art. Magazine of Visual Arts, Havana, 1/2004, p.17-19